Decorative typography and lettering evoke the halcyon days of the British seaside. The fourth in Justin Burns’s series about coastal graphic design
Lettering, typography, and accentuated three-dimensional signs dominate the British coast, writes Justin Burns.
‘À propos’, Anette Lenz’s first major exhibition in her homeland, is an immersive, virtuoso response to Richard Meier’s MAK building in Frankfurt. By Jan Middendorp
After a two-month Covid-related delay, one of the most remarkable exhibitions of a contemporary graphic designer’s work has now opened at Museum Angewandte Kunst (‘applied art’), aka MAK, in Frankfurt / Main, writes Jan Middendorp.
A display of every edition of Eye from 1 to 100 turned magCulture into a surreal cross between gallery and newsagent, complete with masked customers. Art director Simon Esterson reports
On Thursday 18 June 2020, Jeremy Leslie was keen to celebrate customers being able to browse magazines in his shop magCulture again, writes Eye’s art director Simon Esterson.
Anthropologist Rowan Gatfield investigates the visual culture of Brayford Pool’s narrow boats
‘A Narrow Truth’ is a project that aims to illuminate hidden aspects of the waterborne legacy of Brayford Pool, Lincoln’s inland harbour, which dates back to the Roman Military Period (AD43), writes Rowan Gatfield.
A recent Spanish-language book champions South American designers in a typographic format that foregrounds their thoughts about practice
Books about Argentinian design are rare, as are books that more broadly consider and contextualise Latin American design for readers within or outside the region, writes Sarah Snaith.
In the first of a new series of Eye blog posts, Justin Burns explores the graphic language of the British seaside
Walk along the promenade and we are met with the sounds, smells and signs that inform our experience of the seaside, writes Justin Burns.
Kitching’s letterpress lockdown, Gorilla returns, dogs in cars, quarantine fonts, colouring in and a pastel poster tribute to immigrants
Here is a selection of things that have caught our attention in recent (quarantined) weeks.
Tereza Bettinardi designs ‘Cursos e Oficinas’, an abstract and vibrant book series for São Paulo organisation Sesc. By Jan Middendorp
Tereza Bettinardi is from Santa Maria, in the centre of Brazil’s southernmost state, where she studied journalism and graduated in graphic design in 2006, writes Jan Middendorp.
Join us at St Bride Library for Eye’s quarterly Type Tuesday event on 3 March 2020, to hear Marina Willer, Anthony Pearson and Dinah Casson talk about exhibition design
Eye magazine’s next Type Tuesday on 3 March 2020 will focus on exhibition design. STOP PRESS. This event has now sold out.
Tom Gauld commission for St Bart’s Hospital, Elda Broglio’s ‘Amor de Verano’, Yuri Suzuki’s The Welcome Chorus, the On Design podcast and a typeface for the Shoah Memorial wall in Paris
Here is a selection of things – a typographic memorial wall, a selection of Type Directors Club award winners, a sound installation, an illustrated mural and a podcast – that have caught our attention in recent weeks.