Feature: Posters
Spassky Fischer: Concrete moves
The work of this prolific young French studio is founded on practicality and systems, while transcending…
‘As, not for’: The critique goes on
‘As, Not For: Dethroning Our Absolutes’ is an itinerant exhibition of work by black designers whose…
Reputations: Atlas, Astrid Stavro and Pablo Martín
‘You have to be the orchestra conductor, taking control of all these elements and making them magically…
I am a poster
David Crowley, curator of ‘The Poster Remediated’ at the Warsaw International Poster Biennale, examines…
Take my concept
Boris Bućan’s early posters display an audacity that challenges divisions between graphic design and…
The case of Romek Marber
The Polish-born graphic designer behind Penguin’s ‘Marber grid’ helped to define British postwar graphic…
Killing joke at the expense of history
Swissted’s typographic homages turn Modernist design history into hollow commodities for a new ‘blank…
The first couple of American billboards
Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when…
Pay close attention
Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect…
Tony Brook on collecting
Spin’s founder, the subject of Reputations in Eye 86, talks about his passion for poster collecting