Opinion
Is there any use in overturning the existing hierarchies between verbal and visual form?
Serious discussions of the relationships between message, audience and graphic design are still…
Features
‘I don’t want to know the canon, because it is completely irrelevant and transient. If you fight the…
or: how graphic designer Pablo Ferro learned to split the screen, cut the crap and tell the story (in the…
An inquiry into myriad associations originating from this most abundantly occurring symbol in our writing:…
When Donald Wall made this book about Italian architect Paolo Soleri, he uncannily projected a vision of…
The freewheeling global agenda of Müller+Hess both destroys and revives the typographic traditions of…
Seclusion is not an option in a global culture where information, money and images move mountains and…
In the Wiener Ausgabe, Michael Nedo translated Wittgenstein’s wide-ranging and intertwined philosophical…
For the renovations at the Centre Pompidou in Paris, Pierre Bernard devised a temporary system of signs…
“A revolutionary graphic language must seek to expose the meaning by presenting a chain of ideas…