Eye Magazine

Zuzana Licko

Recent articles about Zuzana Licko

We Made This: Technical challengeIssue 95, Winter 2018
Feature

	Sarah Snaith talks to Briar Levit, director of a new film on the history of graphic design
More than a genderIssue 85, Spring 2013
Review

	‘I never set out to be the only woman blah-blah,’ insists Paula Scher, the…
      
When media worlds collideIssue 6, Spring 1992
Review

	All the pundits agree – the arrival of full-scale multimedia is only a matter of time. But what is…
Electrifying the alphabetIssue 62, Winter 2006
Feature
At the dawn of the computer age, new functions ushered in new forms for type design
Reputations: Zuzana LickoIssue 43, Spring 2002
Feature
‘It’s not a problem of being a woman in a man’s world. It’s being a type designer in a world…
The digital waveIssue 7, Summer 1992
Feature

	The old manufacturing companies that dominated typeface production through most of this century…
California panoramaIssue 77, Autumn 2010
Opinion

	Emigre’s latest type catalogue uses historical sources to display wildly varied fonts with…
Typography’s new priestsIssue 1, Autumn 1990
Review

	‘Type90’ brought several hundred typographically preoccupied people to Oxford…

Recent blog posts by Zuzana Licko

Access all areas

25 July 2019

Letterform Archive needs our help to move to a new home in San Francisco. Claire Mason describes her first encounter with the collection

Three years ago, in the summer of 2016, I took a sabbatical from Penguin Books in London and spent three months in the United States, writes Claire Mason.

The power of type

22 November 2013

Unit Editions’ book Type Only documents graphic design – from the late 1990s to the present – that primarily uses typography to illustrate and communicate ideas, writes Sarah Snaith.

Letter to the editor

18 September 2008

Re: Afterword to ‘Googling the design canon’ – don’t diss the digital

From Mike Kippenhan The idea of inviting a variety of people associated with design to write about ‘neglected classics that take us “beyond the canon”’ resulted in an interesting and enjoyable issue of Eye (no. 68 vol. 17). It was refreshing to be introduced not only to some classics I was unaware of, but also to new contributors who have taken the time to share their ideas and interests.